流动的盛宴(海明威非虚构代表作,无删节插图本,莎士比亚书店认证定本张佳玮精心译述)(果麦经典)

流动的盛宴(海明威非虚构代表作,无删节插图本,莎士比亚书店认证定本张佳玮精心译述)(果麦经典)

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2018 · صيني · كيندل · 979 editions
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الوصف

Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist form; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertrude Stein held court at 27 Rue de Fleurus, and deemed young Ernest a member of une gneration perdue; and T.S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel The Sun Also Rises, and the subsequent masterpieces that followed.
Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man - a map drawn in his distinct prose of the streets and cafes and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft.

A Moveable Feast is at once an elegy to the remarkable group for expatriates that gathered in Paris during the twenties and a testament to the risks and rewards of the writerly life.

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تنسيق كيندل
صفحات 214 صفحات
لغة صيني
منشور Sep 1, 2018
الناشر 天津人民出版社
الطبعات 979 editions

المراجعات

عرض الكل

The Sun Also Rises is the quintessential novel of the lost generation, written by a masterful member of that group about a number of friends and acquaintances who were utterly lost, and whose lives were mixed with death, and deaths mixed with life. The only woman in that group, namely Brett Ashley had lost the man she loved in the war before she met Jake Barnes, the narrator and central character of the book. This death, although only alluded to in the plot, seems to have had a strong impact on Brett, who was afterwards utterly lost, fleeing the death imbedded in her life by moving on from town to town, bar to bar, bottle to bottle, and from the arms of one man into those of another. Jake, too, is depicted in the act of fleeing the death in his life, which was afflicted on him by a war wound that made him impotent without annihilating his sexual desires. His love for Brett was, accordingly, deadly and hopeless. But instead of falling apart into disgraceful suffering as was the case of Robert Cohn, who loved Brett romantically and wanted to reform her, Jake rather abided by the Hemingway code; that is to say the acceptance of death's presence in life with admirable stoicism, the exhibition of grace under pressure, and making the best of one's situation. In a manner, the book also dwells on the remnants and broken pieces of the American Dream. The American characters of the book embodied no longer the ideals of such a doctrine. Jake whose life was shattered on account of the war was making his way with difficulty through the maze of a pointless existence. In this manner, the novel suggests the idea that the war had disrupted the unity of the American ideologies, which pointed formerly to the necessity of freedom, equality, and opportunity. The latter trait was crushed under the atmosphere of idleness which dominates the book and the fiesta-lifestyle of its characters. At the same time, however, the constant perseverance of Brett and Jake to preserve freedom and equality in spite of their conditions suggests a momentary break-up with the American Dream instead of a fatal breach. The lost generation was indeed lost, but Hemingway had founded his own code to deal with that.

February 18th 2026

he gets it. 3.5

May 28th 2023
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