流浪者之歌 (經典)

流浪者之歌 (經典)

3.7 (29 التقييمات)
2013 · صيني · كيندل · 972 طبعات

الوصف

即使會重蹈所有的錯誤與悲劇,不論痛苦、絕望、還是快樂,
我都要自己親自走過,我要走自己的路。

所有的明白,都在一次次的執意轉身之後,
而每個人心中都有一個永遠流浪的悉達多。

真理不在固定的地方,
真理不是知識,是經驗,而真理永遠在遠方,也在我們自身。

這是諾貝爾文學得主,赫曼赫塞最經典的文學作品
一部思想與人生的辯證之歌
.《流浪者之歌》是赫塞的第九部作品,1922年在德國出版,也是赫塞最經典的作品之一,美國作家亨利米勒也深受赫塞的啟發,並極力促成此書在美國1951年的出版。此後逐漸在60年代的美國形成赫塞熱潮,那時的美國大學生幾乎人手一本。
.這部作品不僅是亨利米勒的最愛,更是影響了許多音樂人,從60年代開始,從深沉悲傷到搖滾妄想,《流浪者之歌》都是他們靈感的來源。
.雲門舞集林懷民創作《流浪者之歌》的謬思。
.全球青年口耳相傳,赫塞以成為被閱讀最多的德語作家。

《牧羊少年奇幻之旅》作者保羅.科爾賀(導讀摘錄):
這本書正點燃一代人的激情。正如它與我不安分的靈魂對話,它也點撥了整個西方世界許許多多青春年少、心懷理想的男男女女。儘管本書寫於一九二○年代,一九五○年代才在美國出版,

تفاصيل الكتاب

تنسيق كيندل
صفحات 141 صفحات
لغة صيني
منشور أكتوبر 3, 2013
الناشر 漫遊者文化
الطبعات 972 طبعات
رقم ISBN-10 9864890530
رقم ISBN-13 9789864890538

المراجعات

عرض الكل

The novel is imbued with philosophical concepts, the most prominent of which is probably the final assertion that wisdom can be lived, experienced, but never taught. The journey of Siddhartha gives the reader a god-like position to examine this young man's life choices, to understand the motives behind them, and to relate to one's own life and decisions. In the early stages of his life, Siddhartha became alienated from his family and peers on account of his viewpoints and decisions. He questioned the faith and life-style of his own father, adopted another, became skeptical of that one too, and ended up suspicious of all teachings and teachers. His progress, however, illustrates the difference between individualism and herd morality. Unlike his best friend Govinda, Siddhartha wanted to find his own path instead of following that of another. He wanted to think for himself instead of hearing wisdom spoken from the mouth of another man. Nature with all its beauty and serenity had helped Siddhartha along the way. The book addresses, in fact, the break up between man and nature, his total immersion in artificiality and the quest for pleasures. At one point, Siddhartha lost himself in the existential vacuum of humanity. He gave in to women, money, delicious food, and fashionable clothes. In a word, he lost his bond with his own inner self. The murmuring sounds of a river brought him back to himself, annihilated both his former thirst for worldly life and his despair and regret in regard to his progress. By the same token, the plot investigates the inefficiencies of a dichotomic regime. Siddhartha discovered that life can neither be lived in an exclusive state of nirvana or one of samsara. There is always a middle ground between shadow and persona, worldly and spiritual, light and dark, good and evil. This state of duality is only normal. What matters the most is a balance. The quest for what is meaningful forms an equally important part of the story. Along the years, Siddhartha had gradually realized that what he wanted and what was of importance in his life was neither money, nor women, neither glory, nor fame. He adopted at last a simple life-style with barely enough income to afford anything more than food. But to him this was a meaningful life, one that brought him completion and validation. According to Aristotle, we are what we do, not what we think or say. This applies to Siddhartha's journey. When he left the forest, went to the city, and mixed with the people, Siddhartha kept thinking that he was spiritually and morally superior to his peers. Little by little, however, he became one of them and lost all the vestiges of moral ascendency. Thinking that he was different and special was far from sufficient for this young man to secure such a position between his people. What was needed was actions.

February 18th 2026