Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968

Elize Mazadiego offers a compelling exploration of the intersection between art and social change in Argentina from 1955 to 1968. This period, marked by political upheaval and cultural experimentation, serves as a rich backdrop for examining how artists engaged with the concepts of materiality and dematerialization. The narrative delves into the ways these artists challenged traditional forms of expression, seeking to redefine the role of art within society.

Through an in-depth analysis, Mazadiego illuminates the experimental practices that emerged during this transformative era. She presents a nuanced understanding of how artists utilized non-material approaches to convey complex social and political messages, effectively bridging the gap between art and activism. The book delves into specific movements and key figures who influenced the trajectory of contemporary art in Argentina while grappling with broader global discussions around materiality.

In her study, Mazadiego also highlights the collaborative spirit that defined this period, showcasing how groups of artists, intellectuals, and activists came together to contend with their socio-political environment. The account reveals how these collaborations not only fostered innovative artistic expressions but also created a sense of community and shared purpose among participants.

By situating the artistic movements within the context of Argentine history, Mazadiego enriches the reader’s understanding of the profound impact that art can have on society. This work is a vital contribution to art history, offering insights that resonate far beyond Argentina's borders, inviting reflection on the ongoing dialogue between art and social engagement.