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When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes horrifying discoveries about his client and his castle. Soon afterwards, a number of disturbing incidents unfold in England: an unmanned ship is wrecked at Whitby; strange puncture marks appear on a young woman’s neck; and the inmate of a lunatic asylum raves about the imminent arrival of his ‘Master’. In the ensuing battle of wits between the sinister Count Dracula and a determined group of adversaries, Bram Stoker created a masterpiece of the horror genre, probing deeply into questions of human identity and sanity, and illuminating dark corners of Victorian sexuality and desire.
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Después de leerlo, soy incapaz de ver las adaptaciones. Amo este libro, me encanta demasiado, es demasiado bueno y una historia de terror y el hermoso amor entre Jonathan y Mina, la pobre Lucy y el resto de los personajes, el inmenso amor que le tengo a Seward y el terror que infunde Drácula, es algo maravillosos y me duele que no exista (o aún no encuentre) una adaptación digna.
Empeze a leer la edición anotada para entender mejor la trama y la historia
Dracula remains, today, a cornerstone of gothic-horror literature. Bram Stoker successfully created a novel that invokes as much a physical horror as a psychological one.
The most successful element, in my view, of this novel is the atmosphere. It dark, eerie and fully realised in all locations in which we are taken to. The opening section at Dracula's Castle was sublime, a masterclass in introducing a character and his machinations.
Whilst it does slow in the early-middle section of the Novel, its not enough to detract from what is, otherwise, a masterpiece of world building and storytelling.