
Konstruktion Und Verfremdung: Von Der Wirklichkeit Zur Realität ; Symposium Am Josef Matthias Hauer -konservatorium Der Stadt Wiener Neustadt
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Philosophy
Format
Taschenbuch
Seiten
112
Sprache
Deutsch
Veröffentlicht
Jan 1, 1999
Verlag
Braumüller
ISBN-10
3700312946
ISBN-13
9783700312949
Beschreibung
This comprehensive volume captures the essence of a symposium held at the Josef Matthias Hauer Conservatory in Wiener Neustadt, where scholars and practitioners gathered to explore themes of construction and estrangement. Engaging with the dichotomy of reality versus perception, the proceedings reflect on how artistic practices can manipulate and challenge societal norms.
The editors, Fritz G. Wallner and Barbara Agnese, curate a collection of thought-provoking papers that delve into various mediums, including music, theater, and visual arts. Contributors present their insights on how these forms can represent and reinterpret reality, fostering a dialogue about the nature of truth in artistic expression.
Throughout the pages, readers will discover a rich tapestry of perspectives, each adding depth to the discussions around authenticity and artifice. The academic rigor complemented by creative interpretations creates a unique blend that invites both scholars and enthusiasts to reflect on their understanding of art as a means of constructing reality.
This publication stands as a testament to the vibrant discourse surrounding contemporary art practices and their capacity to challenge perceptions. It provides a valuable resource for those interested in the interplay between artistry and the complexities of human experience.
The editors, Fritz G. Wallner and Barbara Agnese, curate a collection of thought-provoking papers that delve into various mediums, including music, theater, and visual arts. Contributors present their insights on how these forms can represent and reinterpret reality, fostering a dialogue about the nature of truth in artistic expression.
Throughout the pages, readers will discover a rich tapestry of perspectives, each adding depth to the discussions around authenticity and artifice. The academic rigor complemented by creative interpretations creates a unique blend that invites both scholars and enthusiasts to reflect on their understanding of art as a means of constructing reality.
This publication stands as a testament to the vibrant discourse surrounding contemporary art practices and their capacity to challenge perceptions. It provides a valuable resource for those interested in the interplay between artistry and the complexities of human experience.
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