Buchdetails
Beschreibung
Markson’s holds Under the Volcano to be the greatest English language novel after Ulysses—and very like it in ambition and method. While acknowledging that the novel’s primary pleasure is its literal, dramatic story, he argues here that Lowry’s book is a Joycean endeavor, both in its reliance on the mythic and in its allusive texture. Far from being incidental to the story—bits and pieces of learning merely stuffed into the text, as Lowry’s one-time mentor Conrad Aiken thought them—the dense web of reference is an intrinsic part of Lowry’s plan, and demonstrates his mastery.
Working through the novel chapter by chapter, Markson conducts “an inductive investigation,” of the mythic dimension of Lowry’s great tragedy: “The guilt of the protagonist is that of Adam after the expulsion, his agony that of Christ at Golgotha, his frailty Don Quixote’s,” Markson writes. Lowry’s hero becomes, for example—through analogy, allusion, and metaphor—Faust, Dante, Prometheus, Oedipus, Judas, Hamlet, Prospero and Macbeth, as well as Scrooge and Peter Rabbit.
Malcolm Lowry’sVolcano is more than just the first and most trenchant analysis of this great novel. It reveals the mind of a gifted contemporary novelist confronting the work of one of his own early masters. For, if Under the Volcano is a modern masterpiece, it has become increasingly clear that Markson is a master as well. Ten years after the appearance of this, his only non-fiction work, he published Wittgenstein’s Mistress, a novel that David Foster Wallace has called “pretty much the high point of experimental fiction in this country.”
Praise for Malcolm Lowry's Volcano
“A tour-de-force of literary detection.”
—Sven Birkerts
“An important addition to the Lowry canon.”
—Chicago Tribune Book World
“A major achievement in scholarly sleuthing, the sine qua non for apprehending Lowry’s great work.”
—Fort-Worth Star Telegram