Die Verkündigung an Maria im 15. und frühen 16. Jahrhundert: historische und kunsthistorische Untersuchungen

Sven Lüken's work delves into the rich artistic and historical landscape surrounding the Annunciation to Mary during the 15th and early 16th centuries. This period, marked by significant religious and cultural transformations, saw a flourishing of artistic expressions that captured the profound themes of divine communication and human response. Lüken meticulously examines these artistic representations, providing readers with a nuanced understanding of how they reflect the era's spiritual sentiments.

The research is enriched by a comprehensive catalog of German Annunciation depictions created between approximately 1435 and 1525. This catalog serves as a valuable resource for scholars and enthusiasts alike, offering insights into the varying styles and interpretations that emerged in this pivotal century. Lüken highlights not only the aesthetic elements but also the theological implications, showcasing the connection between faith and art.

Through a blend of historical analysis and art historical inquiry, Lüken sheds light on the societal context in which these masterpieces were created. The study opens a window into the minds of artists and their audiences, revealing how the Annunciation inspired a profound dialogue about faith, art, and identity during a time of change.