توضیحات
This engaging exploration delves into the captivating realm of found footage cinema, a genre that has long intrigued filmmakers and audiences alike. Through a collection of essays from a diverse group of scholars and practitioners, the authors investigate the historical significance and aesthetic innovation of this unique cinematic form, shedding light on its evolution and influence on contemporary film. Each contribution offers a different perspective, weaving together the rich tapestry of techniques and narratives that define found footage works, inviting readers to reconsider the nature of authorship and the creative possibilities of repurposed imagery.
By celebrating the EYE Film Institute's opening, the book not only serves as a tribute to this landmark event but also acts as a catalyst for a broader discussion about the effects of archiving and technology on film and visual culture. As the readers turn the pages, they are beckoned into an insightful dialogue about the boundaries of original content, the ethics of image appropriation, and the role of the spectator in interpreting the layered meanings behind created works.
By celebrating the EYE Film Institute's opening, the book not only serves as a tribute to this landmark event but also acts as a catalyst for a broader discussion about the effects of archiving and technology on film and visual culture. As the readers turn the pages, they are beckoned into an insightful dialogue about the boundaries of original content, the ethics of image appropriation, and the role of the spectator in interpreting the layered meanings behind created works.
جزئیات کتاب
فرمت
جلد نرم
صفحات
256 صفحه
زبان
انگلیسی
منتشر شده
Dec 15, 2012
ناشر
Amsterdam University Press
ISBN-10
9089644172
ISBN-13
9789089644176