Preserved Present: Redefining Post Internet Art in the Era of Fake News

In a world where the boundaries of authenticity and deception are increasingly blurred, four insightful authors come together to explore the intriguing landscape of post-internet art. This examination delves into how contemporary art is redefined in an age dominated by misinformation and digital manipulation. James Jarvis, Marisa Olsen, James Bridle, and Robin Peckham challenge readers to consider what it truly means for art to be contemporary and how the proliferation of "fake news" impacts artistic expression.

The authors navigate through a range of pressing questions, reflecting on both the aesthetic and ideological implications of art that claims to respond to the current digital age. They interrogate works that on the surface appear progressive, only to reveal themselves as relics of an earlier time upon closer examination. This critical lens allows for an expanded discourse on consumerism, authorship, and the role of the artist in contemporary society.

By blending theoretical insights with visual analyses, they provide readers with a framework for understanding the evolution of art in relation to technology and media. The narrative unpacks the urgency of reevaluating the role of art as a commentary on the realities shaped by the internet, raising awareness of the dichotomy between the present and its often deceptive reflections.

Ultimately, this exploration invites the audience to reconsider not only the art they engage with but also the broader implications of living in an environment saturated with information. It serves as both a critique and an affirmation of art's enduring relevance in navigating the complexities of the modern world.