جزئیات کتاب
فرمت
جلد نرم
زبان
انگلیسی
منتشر شده
Sep 2, 1988
ناشر
Distributed Art Pub Inc
ISBN-10
9070149249
ISBN-13
9789070149246
توضیحات
Richard Serra's Tilted Arc is a profound exploration of one of the most controversial works of public art in American history. At the heart of this captivating narrative lies Serra's monumental sculpture, a curved steel wall that once dominated New York City’s Foley Federal Plaza. The authors, Clara Weyergraf-Serra and Martha Buskirk, delve into the intricacies surrounding the artwork's creation, reception, and eventual removal, which sparked heated debates on artistic freedom, public space, and the role of art in society.
Through meticulous research and compelling insights, the authors evoke the tumultuous atmosphere of the 1980s art scene, illustrating how Tilted Arc became both a symbol of avant-garde expression and a flashpoint for public controversy. They unravel the stories of the artists, critics, and everyday people who interacted with the installation, painting a vivid picture of its impact on the landscape of modern art.
Weyergraf-Serra’s personal connection to Serra adds a layer of intimacy to the discussion, as she reveals the emotional stakes involved in the contentious dialogue over the sculpture. This book not only serves as a historical account of a pivotal moment in art history but also offers reflections on current debates about public art and community engagement.
Ultimately, this study invites readers to contemplate the nature of art in public spaces and the implications of artistic intent versus public reception. It leaves them questioning not just the fate of Tilted Arc, but the future of art that challenges societal norms.
Through meticulous research and compelling insights, the authors evoke the tumultuous atmosphere of the 1980s art scene, illustrating how Tilted Arc became both a symbol of avant-garde expression and a flashpoint for public controversy. They unravel the stories of the artists, critics, and everyday people who interacted with the installation, painting a vivid picture of its impact on the landscape of modern art.
Weyergraf-Serra’s personal connection to Serra adds a layer of intimacy to the discussion, as she reveals the emotional stakes involved in the contentious dialogue over the sculpture. This book not only serves as a historical account of a pivotal moment in art history but also offers reflections on current debates about public art and community engagement.
Ultimately, this study invites readers to contemplate the nature of art in public spaces and the implications of artistic intent versus public reception. It leaves them questioning not just the fate of Tilted Arc, but the future of art that challenges societal norms.