Istorija russkoj muzyki XX stoletija. Ot Skrjabina do Shnitke
par
Savenko S.
Pas encore d'évaluations
Science & Technology
History
Philosophy
Format
Relié
Pages
232
Langue
Russe
Publié
Jan 1, 2019
Éditeur
Muzyka
Édition
1
ISBN-10
5714011503
ISBN-13
9785714011504
Description
Svetlana Savenko delves into the rich tapestry of Russian music from the 20th century, beginning with the innovative works of Alexander Scriabin and extending to the contemporary compositions of Dmitri Shostakovich. She provides a comprehensive analysis of the evolution of musical styles and the socio-political influences that shaped them, highlighting the significant cultural shifts that occurred during this dynamic period.
Readers will find a thorough examination of prominent composers, their unique contributions, and the broader societal contexts that inspired their creations. Savenko's insights reveal how Russian music reflects the turbulent history of the nation, marked by revolutions, wars, and artistic movements.
The narrative intertwines personal anecdotes and historical accounts to create a vivid picture of the musical landscape in Russia. Richly detailed and meticulously researched, Savenko's work serves as an essential resource for anyone interested in understanding the complexities of Russian music in the 20th century.
With bibliographical references and an index included, the book not only educates but also encourages further exploration. Savenko's scholarship shines as she connects the dots between past and present, making this a valuable read for musicologists, students, and enthusiasts alike.
Readers will find a thorough examination of prominent composers, their unique contributions, and the broader societal contexts that inspired their creations. Savenko's insights reveal how Russian music reflects the turbulent history of the nation, marked by revolutions, wars, and artistic movements.
The narrative intertwines personal anecdotes and historical accounts to create a vivid picture of the musical landscape in Russia. Richly detailed and meticulously researched, Savenko's work serves as an essential resource for anyone interested in understanding the complexities of Russian music in the 20th century.
With bibliographical references and an index included, the book not only educates but also encourages further exploration. Savenko's scholarship shines as she connects the dots between past and present, making this a valuable read for musicologists, students, and enthusiasts alike.
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