Description
Em uma sociedade voltada para o casamento de interesses, na qual a única possibilidade de crescimento econômico, para a mulher, é através do matrimônio, será possível acreditar no amor verdadeiro? Esse é o questionamento que carrega a perspicaz Elizabeth Bennet, protagonista de Orgulho e preconceito, que se mostra corajosa o suficiente para se perguntar se poderia, sim, amar verdadeiramente aquele que escolhesse para ser seu marido.
Neste livro repleto de ironia e crítica sobre as hipocrisias das relações amorosas e familiares, o leitor se vê envolvido em uma trama muito bem elaborada por umas das grandes escritoras da literatura mundial, e, no fim, percebe que em termos de romance nada supera Jane Austen.
Como apoio e contextualização para a leitura, esta obra e toda a coleção Nano apresentam ao final um QR Code que redireciona o leitor para um portal com textos extras sobre o livro. Neste local, disponibilizamos a apresentação da escritora Bruna Vieira sobre o livro, um posfácio da professora titular de Literatura Inglesa e Comparada (USP) Sandra Guardini, um ensaio da socióloga Jaqueline Sant’ana, e um análise de Isadora Sinay, formada em Cinema e doutora em Literatura (USP).
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Uno de los primeros clásicos que leo. Me puse genuinamente feliz al leerlo. Los pensamientos y el desarrollo que tenía Elizabeth, más el comportamiento de Darcy. Me pareció muy linda historia.
I do hate giving this, which is one of my favorite stories, only a three, but I was not really a fan of the adaptation.The story itself was well-done, both in terms of the original and in terms of adaptation, and I thought the little magazine covers between each part (I'm assuming I was reading a combination volume and that they were originally released as individual comics) were adorable. The design there was quirky and charming.My problem was the actual art.I am one of those people (I apologize now!) that actually rarely notices the art in anything that has words. I read the words, I get a general impression, I notice color most decidedly, but I don't generally have a very strong opinion one way or the other on it. This really really bothered me, though, and it got progressively worse the longer I read. I was iffy from the beginning on the fact that they had clearly looked at the Keira Knightly adaptation of the film for inspiration, but I was willing to overlook that (and hey, redheads! I'm a fan of that!). Then small things started bothering me. The shading of their lips, which I winced every time I saw. The male faces, which were all oddly unsettling, even the friendly ones. By the time I finished this, I was attempting not to look at the art, which is kind of a terrible thing in a visual adaptation like this.I can't say it isn't just me (it probably is), but it really came close to ruining this for me--I almost gave it up (and it's 120 pages of a story I love--seriously, it is not a long read). I finished and actually debated between two stars and three, but let the charm of the story, the well-handled dialogue and well-chosen bits that were adapted, and the cute little magazine covers sway me up to "I liked it."I'll be going back to the book for my next re-read, though, for certain.