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《白鯨記》是戲劇,是歷險故事,是哲學探討,是科學研究,也是一部史詩。對於這樣一部博大精深、充滿暗示與隱喻,極富瑰奇想像力的作品,也許沉默的閱讀本身才是最大的敬意。美國文學史上最偉大的小說之一馬奎斯、巴布·狄倫、毛姆,他們的共同愛好就是──讀《白鯨記》50幅美國插畫家Evan Dahm手繪插圖,重現小說經典場景!【內容說明】捕鯨船皮廓號,由美國北方的南塔克特島出發,開始了一趟為期三年的航行。船長亞哈,聰明、自大、意志堅定,縱橫海上四十年,是水手眼中神一般的存在。有別於其他捕鯨船汲取具經濟價值的鯨油、鯨腦和珍貴龍涎香的捕鯨目的,亞哈船長出海捕鯨純粹是為了個人目的──一次捕鯨過程中,大白鯨「莫比.迪克」生生咬斷了他的左腿。從此以後,捕殺這頭大白鯨成了亞哈的瘋狂復仇志業......全書共有135章,以「叫我以實瑪利」這句文學史上最經典的開場白,帶領讀者進入整個捕鯨航程的歷險過程,目睹被復仇執念吞噬的亞哈如何將整船人帶往滅亡境地,終被大海吞噬。唯有以實瑪利一人逃脫,記錄這部命運的啟示錄。【名人推薦語】「文學史上的美麗奇蹟!」──《百年孤寂》作者馬奎斯「我希望《白鯨記》這本書是我寫的。」──美國現代主義文學大師福克納「《白鯨記》是一本神奇之書,裡面充滿了生動的情節和戲劇性的高潮。它的主題和它所有的隱喻,在我的許多歌中都有所體現。」──諾貝爾文學獎得主巴布·狄倫「梅爾維爾的風格在《白鯨記》中臻至完美,壯觀、宏亮、雄偉,而雄辯。依我看來,沒有哪一位現代作家能達到這種境地。」──《月亮與六便士》作者毛姆【作者簡介】赫曼·梅爾維爾(Herman Melville, 1819-1891)美國天才作家,被譽為「美國的莎士比亞」。生於紐約,十三歲喪父,失學。十五歲獨自謀生,先後做過銀行職員、雜貨店店員、農場工人、鄉村教師。十七歲逃到船上做水手。二十二歲登上捕鯨船,開始漫長的海上漂泊。期間,他棄船逃走,受困野蠻人部落,還被關進過大溪地島上的監獄裡,最終又重回大海,當捕鯨工與水手。二十六歲開始創作小說,二十八歲結婚。人到中年,遭遇喪子之痛。晚年專注寫詩,三次自費出版。七十二歲時,在貧病交加中逝於紐約。梅爾維爾生前幾乎無法靠寫作養家活口,過世後近半世紀才聲名日隆,代表作《白鯨記》成為世界文學史上不朽的經典傳奇。【譯者簡介】馬永波詩人、作家、翻譯家,長期致力於英美現當代文學的翻譯與研究。現任職於南京理工大學詩學研究中心。1986年開始發表文學作品,個人代表作《樹籬上的雪》、《詞語中的旅行》等。2016年翻譯被譽為「美國文學史上至高經典」《白鯨》(臺灣版譯名:《白鯨記》),備受各界讀者好評。2019年榮獲第五屆中國當代詩歌獎翻譯獎。

Dettagli del libro

Formato Kindle
Pagine 784 pagine
Lingua Inglese
Pubblicato apr 2, 2021
Editore 時報出版
ISBN-10 9571387843
ISBN-13 9789571387840

Group project goes wrong because the leader is way too into whales.funnily enough, that's happened to me in real life

March 21st 2026

I really hate it when I can't connect with some of the greatest works of art. Moby Dick is sadly one of these!I really tried to enjoy it, but couldn't! It's one of the very few classics which bore me to death. In my opinion, there's very little development when it comes to the characters and the story-line itself. I expected a lot from the author, especially that the book is thick. I told myself here's a story that's going to keep me entertained for a while, but instead I only found an annoyingly massive amount of fishery technicalities. A flat bulk of information to fill the chapters so that the real story can be rewritten in no more than a quarter of the actual number of pages. What bugs me up about this is the uselessness of such details in connection with the direction in which the story moves. The reader could perfectly do without most of that massive amount of waling fishery details! Besides, the characters are mostly flat. There's neither will nor power of will directing their steps and guiding their actions. Take the narrator as an instance. He's a passive observer of everything; merely a man relating his inexistence in the tale. Ahab is another in spite of all his depicted mightiness which remains but empty words. What is he if not simply a stubborn, half-mad, old captain directing a set of dummies who are so flat and two dimensional that I can't even attempt to put them to scrutiny. One thing I know for sure, I am never going to read that book again as I am already giving it away to any student in need of a free copy! And apart from the occasional beauty of its prose and the images which come to the forth every now and then, I regret spending so much time reading it.

February 18th 2026

Call me Ishmael. Thus starts the greatest American novel. Melville said himself that he wanted to write a mighty book about a mighty theme and so he did. It is a story of one man's obsessive revenge-journey against the white whale, Moby-Dick, who injured him in an earlier meeting.

February 1st 2026
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