Russkaya Duhovnaya Muzyka V Dokumentah I Materialah. Tom 2. Kniga 1. Sinodal'nyj Hor I Uchilische Tserkovnogo Peniya. Kontserty. Periodika. Programmy
di
S. G. Zvereva
,
A. A. Naumov
,
M. L. Rahmanova
Ancora nessuna valutazione
Religion & Spirituality
Formato
Brossura
Pagine
682
Lingua
Russo
Pubblicato
Jan 1, 2013
Editore
Book on Demand Ltd.
ISBN-10
5944570768
ISBN-13
9785944570765
Descrizione
This volume delves into the rich tapestry of Russian sacred music, specifically focusing on the Synodal Choir and the educational frameworks surrounding church singing. The authors, S. G. Zvereva, A. A. Naumov, and M. L. Rahmanova, meticulously compile a wealth of documents, including concert programs, periodicals, and other archival materials that illuminate the evolution and significance of church music in Russian culture.
Through historical accounts, personal diaries, and correspondence, the narrative captures the experiences of musicians and choirs within the context of religious and cultural change. The text not only celebrates the artistry of sacred music but also explores its role in shaping communal identities and spiritual practices. The intricate relationship between music and the Orthodox faith is thoroughly examined, providing readers with insights into how these melodies have moved beyond mere notes to become integral expressions of faith.
Additionally, the inclusion of concert performances and educational curricula offers a practical aspect, showcasing how these traditions are transmitted and preserved. The authors' scholarly approach presents an engaging and informative examination, making it an essential resource for anyone interested in the intersection of music, religion, and Russian cultural history.
This volume stands as a significant contribution to the study of Russian musicology, appealing to researchers, musicians, and enthusiasts alike who seek to understand the enduring legacy and ongoing relevance of Orthodox sacred music.
Through historical accounts, personal diaries, and correspondence, the narrative captures the experiences of musicians and choirs within the context of religious and cultural change. The text not only celebrates the artistry of sacred music but also explores its role in shaping communal identities and spiritual practices. The intricate relationship between music and the Orthodox faith is thoroughly examined, providing readers with insights into how these melodies have moved beyond mere notes to become integral expressions of faith.
Additionally, the inclusion of concert performances and educational curricula offers a practical aspect, showcasing how these traditions are transmitted and preserved. The authors' scholarly approach presents an engaging and informative examination, making it an essential resource for anyone interested in the intersection of music, religion, and Russian cultural history.
This volume stands as a significant contribution to the study of Russian musicology, appealing to researchers, musicians, and enthusiasts alike who seek to understand the enduring legacy and ongoing relevance of Orthodox sacred music.
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