Dettagli del libro
Formato
Kindle
Pagine
260
Lingua
Inglese
Pubblicato
May 8, 2022
Descrizione
More thon forty years ago, Robert Warshow wrote that “the unresolved problem of ‘popular culture’ . . . has come to be a kind of nagging embarrassment to criticism.” Despite the rise of academic trends like cultural studies, we don’t have a criticism that speaks to the actual, immediate experience of seeing and responding to popular culture.
Warshow argued that the evasion of the popular arts in his time was due to a “disastrous vulgarization of intellectual life” that corrupted American liberalism from the 1930s to the 1950s. Political correctness then, like political correctness since the 1960s, had led to “organized mass disingenuousness” on the part of intellectuals who turned away from developing a vocabulary for describing the immediate, aesthetic experience and used irony instead, even about their own experiences. But, says Warshow, “a whole literature cannot be built on irony.”
Warshaw died a young man of 37 in 1955, but he left as his legacy a series of essays for The Partisan Review, Commentary, The Nation , and other journals. These writings, the cornerstone of a major account of the role of mass culture in our lives, were first gathered and published as a book in 1962. A number of essays have been anthologized frequently, and the book as a whole has achieved cult status for a number of discerning critics.
“A legendary little book, partly because its author died at the age of 37, but mostly because it stands as a virtually unique representative from its period of a consistently open-minded, moral, aesthetic, and political engagement with commercial culture.”
—Louis Menand
Warshow argued that the evasion of the popular arts in his time was due to a “disastrous vulgarization of intellectual life” that corrupted American liberalism from the 1930s to the 1950s. Political correctness then, like political correctness since the 1960s, had led to “organized mass disingenuousness” on the part of intellectuals who turned away from developing a vocabulary for describing the immediate, aesthetic experience and used irony instead, even about their own experiences. But, says Warshow, “a whole literature cannot be built on irony.”
Warshaw died a young man of 37 in 1955, but he left as his legacy a series of essays for The Partisan Review, Commentary, The Nation , and other journals. These writings, the cornerstone of a major account of the role of mass culture in our lives, were first gathered and published as a book in 1962. A number of essays have been anthologized frequently, and the book as a whole has achieved cult status for a number of discerning critics.
“A legendary little book, partly because its author died at the age of 37, but mostly because it stands as a virtually unique representative from its period of a consistently open-minded, moral, aesthetic, and political engagement with commercial culture.”
—Louis Menand
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