설명
At last: Vladimir Nabokov’s final and unfinished novel, in print—thirty years after his death, years in which the fate of The Original of Laura was in constant and closely watched question.
When Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of The Original of Laura. But Nabokov’s wife, Vera, couldn’t bear to destroy her husband’s last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov, now seventy-four— the Russian novelist’s only surviving heir, and translator of many of his books—has struggled for decades with the decision of whether to honor his father’s wish or preserve for posterity the last piece of writing of one of the greatest writers of the twentieth century. His decision finally to allow publication will be passionately welcomed by both scholars and general readers. And the ingenious format of the book (which includes removable facsimiles of the index cards) will make an even more extraordinary occasion of this publishing event.
In its fragmented narrative—dark yet playful, preoccupied with mortality—we are given one last experience of a writer’s unparalleled creativity, a glimpse of his last days, and a body of work finding its apotheosis.
When Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of The Original of Laura. But Nabokov’s wife, Vera, couldn’t bear to destroy her husband’s last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov, now seventy-four— the Russian novelist’s only surviving heir, and translator of many of his books—has struggled for decades with the decision of whether to honor his father’s wish or preserve for posterity the last piece of writing of one of the greatest writers of the twentieth century. His decision finally to allow publication will be passionately welcomed by both scholars and general readers. And the ingenious format of the book (which includes removable facsimiles of the index cards) will make an even more extraordinary occasion of this publishing event.
In its fragmented narrative—dark yet playful, preoccupied with mortality—we are given one last experience of a writer’s unparalleled creativity, a glimpse of his last days, and a body of work finding its apotheosis.