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형식
페이퍼백
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출판사
Oxford University Press
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Kevin Bartig explores the intricate relationship between Sergey Prokofiev's compositions and Soviet cinema during a pivotal era in both music and film. The narrative delves into Prokofiev's fascination with the emerging sound film medium, examining how he harnessed its potential to create innovative scores that complemented the visual storytelling.
As Bartig weaves through Prokofiev’s significant works, he reflects on the cultural and political contexts of Soviet Russia that influenced the composer’s approach to scoring films. The book illuminates the challenges and triumphs Prokofiev faced while attempting to navigate the expectations of the state and the evolving film industry.
Through meticulous research and insightful analysis, Bartig not only underscores Prokofiev's contributions to film music but also offers a broader commentary on the intersection of art and politics during a transformative period in Soviet history. This captivating exploration reveals the lasting impact of Prokofiev's work on the development of film scoring.
As Bartig weaves through Prokofiev’s significant works, he reflects on the cultural and political contexts of Soviet Russia that influenced the composer’s approach to scoring films. The book illuminates the challenges and triumphs Prokofiev faced while attempting to navigate the expectations of the state and the evolving film industry.
Through meticulous research and insightful analysis, Bartig not only underscores Prokofiev's contributions to film music but also offers a broader commentary on the intersection of art and politics during a transformative period in Soviet history. This captivating exploration reveals the lasting impact of Prokofiev's work on the development of film scoring.
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