Dylan Dog n. 126: La morte rossa
아직 평점이 없습니다
형식
페이퍼백
페이지
98
언어
이탈리아어
출판됨
Mar 1, 1997
출판사
Sergio Bonelli Editore
설명
In a haunting tale that intertwines art and horror, a long-forgotten plague resurfaces, casting a dark shadow over humanity. Set against the backdrop of a hauntingly beautiful landscape, the story follows the journey of the renowned painter Jacopo, who finds himself entangled in a web of despair and mortality. As the relentless grip of the disease spreads, chaos reigns, and the line between life and death begins to blur.
Amidst the chaos, Dylan Dog, the astute and brooding investigator of nightmares, steps into the fray. Tasked with uncovering the origins of the malevolent force that plagues society, he grapples with his own demons while seeking redemption. The tension escalates as he confronts both the physical and psychological threats that loom around him, testing his resolve and his understanding of the human condition.
As the story unfolds, the intricate illustrations breathe life into each scene, capturing the essence of fear, beauty, and the inevitable descent into madness. With every turn of the page, readers are drawn into a world where artistry and horror collide, leaving them to ponder the age-old question: is death truly the end, or merely the beginning of something far more sinister?
Amidst the chaos, Dylan Dog, the astute and brooding investigator of nightmares, steps into the fray. Tasked with uncovering the origins of the malevolent force that plagues society, he grapples with his own demons while seeking redemption. The tension escalates as he confronts both the physical and psychological threats that loom around him, testing his resolve and his understanding of the human condition.
As the story unfolds, the intricate illustrations breathe life into each scene, capturing the essence of fear, beauty, and the inevitable descent into madness. With every turn of the page, readers are drawn into a world where artistry and horror collide, leaving them to ponder the age-old question: is death truly the end, or merely the beginning of something far more sinister?
