Notes from the Underground, White Nights, the Dream of a Ridiculous Man and Selections from the House of the Dead

Notes from the Underground, White Nights, the Dream of a Ridiculous Man and Selections from the House of the Dead

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1961 · Английский · Твердый переплет · Изданий: 89
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Описание

A collection of powerful stories by one of the masters of Russian literature, illustrating the author's thoughts on political philosophy, religion and above all, humanity: Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead (150th Anniversary Edition)

The compelling works presented in this volume were written at distinct periods in Dostoyevsky's life, at decisive moments in his groping for a political philosophy and a religious answer. From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of Notes from Underground—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.

Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and Notes from Underground as "an awe- and terror- inspiring example of this sympathy."

Детали книги

Формат Твердый переплет
Язык Английский
Опубликовано Jan 1, 1961
Издатель New American Library
Издания Изданий: 89

Lo descubrí, lo descargué, lo leí y dije "Es arte". Es una de las mejores obras que he leído de Dostoievski, se siente ABSOLUTAMENTE TODO lo que se narra, mi libro favorito del autor y el primero de él que leí (todo un descubrimiento en ese momento), y quedé fascinada.

July 26th 2026

"I am a sick man, I am a spiteful man, I am an unattractive man." So begins Dostoevsky's Notes from Underground, a brutally honest exploration of human suffering, alienation, and self-doubt. The novel takes us into the mind of a retired civil servant, a man who has just turned 40 and finds himself utterly isolated, tormented by his own thoughts and filled with a profound sense of disdain for the world around him.While reading, I found myself repeatedly whispering, "sucks to be you." The narrator’s misery is suffocating, and as I followed his spiraling descent into bitterness and misery, I couldn't help but feel that Dostoevsky was issuing a warning: 'Do not live like this man, lest you end up like him.'The narrator's life is one of endless rumination and inaction, where his inner thoughts spiral into nihilism and resentment. He speaks of his desire to change, to act, but ultimately, he never follows through. His inner monologue is a cruel back-and-forth between self-loathing and self-justification. He constantly tells himself that he will do something, yet he knows-deep down-that he never will.What makes the character's condition so tragic is the way he has alienated himself from others. He views everyone as a potential threat, seeing only the worst in those around him, and his paranoia drives him to isolate himself further. He takes pleasure in the misfortune of others as long as it doesn't affect him. His intellectual arrogance only deepens his misery, as he convinces himself that his understanding of the world is so superior that he alone is worthy of contempt. His refusal to take responsibility, to act, and to open himself to the possibility of connection with others renders his life meaningless. He is a coward, trapped in a cycle of self-inflicted suffering, constantly undermining any hope of change or redemption.There is no growth here, no lesson learned, no happy ending, just a spiral into self-inflicted misery. Notes from Underground forces readers to confront the ugliness of the human condition, but more importantly, it serves as a warning: if you don’t take action, if you refuse to live authentically and face your own flaws, you may just end up trapped in your own mental prison.Long story short, I loved this.

April 19th 2025
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