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You need clues. You need time. You need a motive. You won’t have any of them. When a whole family is murdered in Stockholm, Detective Inspector Joona Linna knows there is only one person who can help find the perpetrator. Erik Maria Bark, retired hypnotist, is called in to work with Josef Ek, a fifteen-year-old boy who witnessed the brutal murder of his family.
Following a series of accusations by his patients, Erik is reluctant to return to his craft but makes an exception for Joseph Ek. As he delves deep into the boy's mind, he discovers that Josef murdered his own family on the orders of his sister Evelyn. When Joona and Erik journey deep into the woods to find Evelyn, she admits that she was abused by her brother for many years. When she refused to submit to him, he took revenge on the entire family. When Josef escapes from custody and Erik's only son Benjamin disappears from the family home, Erik is thrust into a world of violence and gang warfare, forcing him to revisit his past to discover the truth.
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Слушала в машине. Немного затянуто, но интересно. Триллер. Почитаю еще.
Se avessi considerato il film, probabilmente non avrei attribuito più di due stelle, anche se nella pellicola ci sono flashback continui che potrebbero tenere lo spettatore in sospeso. Ma dato che si tratta di un libro, che per opinione personale è gradevole e fluido da leggere, gli riconoscerò cinque stelle.
Nonostante ciò, senza nulla togliere agli intellettuali o ai monologhi di personalità italiane come: Roberto Bolaño (pur essendo cileno, spesso associato a certi contesti letterari), Giampiero Mughini, Massimo Cacciari, Roberto Saviano, ecc., lungo la stesura del libro vi è un abbondante uso del dialogo: un discorso piuttosto ragionato che alluderebbe a un libro scritto in prima persona. Invece, il duo che forma lo pseudonimo Lars Kepler conferma ancora una volta la propria affinità nel lavorare insieme come un unico soggetto.
If I had considered the movie, I probably wouldn't have given it more than two stars, even though the film features continuous flashbacks that might keep the viewer in suspense. But since it is a book, which in my personal opinion is pleasant and fluid to read, I am going to give it five stars.
Despite this, without taking anything away from the intellectuals or monologues of Italian figures such as: Roberto Bolaño (though Chilean, often grouped in these literary contexts), Giampiero Mughini, Massimo Cacciari, Roberto Saviano, etc., throughout the writing of the book there is an abundant use of dialogue: a fairly reasoned discourse that would allude to a book written in the first person. Instead, the duo that forms the pseudonym Lars Kepler confirms once again their affinity for working together and as a single subject.