Julia n. 200: L'immagine perduta
Inga betyg ännu
Format
Pocketbok
Sidor
130
Språk
Italienska
Publicerad
May 1, 2015
Förlag
Sergio Bonelli Editore
Beskrivning
Evlyn Wescott, once a renowned photographer, faces a grim reality after a tragic accident leaves him blind. Stripped of his ability to capture the world through his lens, he grapples with the loss not just of his sight, but of his identity that revolved around photography. Shadows of his former life loom large as he navigates through the challenges of adapting to his new existence.
Despite the darkness that envelops him, Evlyn discovers an unexpected ally in a young woman who encourages him to explore new depths of perception. Together, they embark on a journey that transcends physical sight, delving into the emotions and memories that images evoke. Through their interactions, Evlyn learns to rediscover the beauty of life in a different light, challenging his assumptions and fears.
As Evlyn's understanding of his world evolves, the narrative unfolds layers of mystery and self-discovery, intertwining art and the human experience. The path he travels is not just about reclaiming his former self but about learning to embrace an altered perspective, ultimately revealing that sometimes, the most profound images are painted through the heart and soul rather than seen with the eyes.
Despite the darkness that envelops him, Evlyn discovers an unexpected ally in a young woman who encourages him to explore new depths of perception. Together, they embark on a journey that transcends physical sight, delving into the emotions and memories that images evoke. Through their interactions, Evlyn learns to rediscover the beauty of life in a different light, challenging his assumptions and fears.
As Evlyn's understanding of his world evolves, the narrative unfolds layers of mystery and self-discovery, intertwining art and the human experience. The path he travels is not just about reclaiming his former self but about learning to embrace an altered perspective, ultimately revealing that sometimes, the most profound images are painted through the heart and soul rather than seen with the eyes.
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