Bokdetaljer
Beskrivning
Winner of the Prix Goncourt
In this strange, elegant novel, winner of France's premier literary prize, Patrick Modiano portrays a man in pursuit of the identity he lost in the murky days of the Paris Occupation, the black hole of French memory.
For ten years Guy Roland has lived without a past. His current life and name were given to him by his recently retired boss, Hutte, who welcomed him, a onetime client, into his detective agency. Guy makes full use of Hutte's files – directories, yearbooks, and papers of all kinds going back half a century – but his leads are few. Could he really be the person in that photograph, a young man remembered by some as a South American attaché? Or was he someone else, perhaps the disappeared scion of a prominent local family? He interviews strangers and is tantalized by half-clues until, at last, he grasps a thread that leads him through the maze of his own repressed experience.
On one level Missing Person is a detective thriller, a 1950s film noir mix of smoky cafés, illegal passports, and insubstantial figures crossing bridges in the fog. On another level, it is also a haunting meditation on the nature of the self. Modiano's sparce, hypnotic prose, superbly translated by Daniel Weissbort, draws his readers into the intoxication of a rare literary experience.
Praise for Missing Person
Delicate and cunning . . . Modiano's method is to sidle up to subjects of mystery and horror, indicating them without broaching them, as if gingerly fingering the outside of a poison bottle. . . he opens dark doors into the past out of a sunlit present.
��—John Sturrock, Times Literary Supplement
Genrer
Recensioner
Visa allaNote : 3.5/5Je n'ai pas de défaut à mette en avant pour justifier que j'ai enlevé 1,5 à la note finale. Au contraire, j'ai passé un bon moment en lisant ce livre, l'écriture est fluide, le récit défile tranquillement. Seulement, je ne suis jamais rentrée totalement dedans. Je lisais, j'avais la curiosité de vouloir connaître la fin mais je ne me suis pas sentie réellement investie. Pourtant, à plusieurs moments, les sentiments du protagoniste me parlaient. J'ai l'impression que c'est un truc des romans de Modiano, on les lit et on les oublie, ce ne sont que de courts instants dans une vie de lecture. Ce qui est plutôt poétique au vu de ce qu'il écrit. Mais j'ai aussi la sensation que lorsqu'on a lu un Modiano, on les a "tous lus". Pourtant, j'ai un souvenir que La danseuse était quand même assez distinctif, bien qu'on y retrouve les thèmes chers à l'auteur.Dans tous les cas, lire un Modiano de temps en temps, c'est sympa, c'est doux.