Resistance on the National Stage: Theater and Politics in Late New Order Indonesia
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History
Format
Pocketbok
Sidor
352
Språk
Engelska
Publicerad
Oct 17, 2010
Förlag
Ohio University Press
Utgåva
1
ISBN-10
0896802752
ISBN-13
9780896802759
Beskrivning
In "Resistance on the National Stage," Michael H. Bodden delves into the intricate relationship between theater and politics during the late New Order period in Indonesia. This enlightening work reveals how performance art became a powerful medium for political expression and dissent in a climate of repression. Bodden skillfully examines pivotal theater productions, highlighting their roles in voicing societal struggles and providing a platform for marginalized voices.
Through meticulous analysis, the author showcases the evolution of Indonesian theater as it responded to the shifting political landscape. By intertwining historical context with case studies, Bodden illustrates how playwrights and actors navigated censorship and used their craft to challenge the regime. The tension between art and authority unfolds, shedding light on the courageous paths artists took to instigate dialogue and inspire change.
This volume not only provides insight into the cultural resistance of a significant era but also enriches the understanding of how theater can wield influence in the face of governmental oppression. Bodden's exploration offers a profound perspective on the role of art as both a reflection of society and an agent for political transformation in Indonesia.
Through meticulous analysis, the author showcases the evolution of Indonesian theater as it responded to the shifting political landscape. By intertwining historical context with case studies, Bodden illustrates how playwrights and actors navigated censorship and used their craft to challenge the regime. The tension between art and authority unfolds, shedding light on the courageous paths artists took to instigate dialogue and inspire change.
This volume not only provides insight into the cultural resistance of a significant era but also enriches the understanding of how theater can wield influence in the face of governmental oppression. Bodden's exploration offers a profound perspective on the role of art as both a reflection of society and an agent for political transformation in Indonesia.
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