Three Pieces in the Shape of a Pear

Satie is now most famous for his delicate and dreamlike 'Gymnopedies', but he was a man ahead of his time - turning his back on the musical conventions of his day and composing spare, 'white' pieces with strange titles, such as 'Flabby Preludes for a Dog' and 'Three Pieces in the Shape of a Pear'

But he was also a complex and solitary man. McGowan's drama looks at three key figures in Satie's life - his friend and rival, Claude Debussy; his first love, the artist Suzanne Valadon and the society soprano, Paulette Darty, for whom he nurtured a long, but undeclared, devotion.

But despite the poignancy of Satie's romantic life, this is a fresh and funny portrayal of an engagingly eccentric figure - a man who saved time deciding what to wear by buying seven, identical, yellow, corduroy suits (one for every day of the week) and who, for a time, consumed only white foods in the hope of instilling that simplicity and purity into his own body and music.