評論
Holy fucking shit I could have never seen the reveal at the end coming and yet there were SO many hints!!! I figured what the Lord Ruler wearing metal meant pretty fast, but the rest??? insane. insane novel
Brandon Sanderson’s The Alloy of Law is a thrilling leap back into the Mistborn universe, now set in a steampunk-inspired, industrial era roughly 300 years after the original trilogy. This standalone novel (the first in the Wax and Wayne series) blends the gritty charm of a Western with Sanderson’s signature magic systems and world-building prowess, delivering a fast-paced, action-packed story that’s both accessible to newcomers and rewarding for Mistborn veterans.The story follows Waxillium Ladrian, a nobleman and skilled Allomancer, who returns to the city of Elendel after years as a lawman in the Roughs. Forced to navigate high society and family obligations, Wax is soon drawn into a series of mysterious crimes alongside his witty partner, Wayne, and the scholarly Marasi. The trio’s chemistry is a highlight, with Wayne’s humor and Marasi’s intelligence complementing Wax’s gruff heroism. Sanderson excels at crafting dynamic dialogue and banter that keeps the pages turning.The world feels alive, with its evolving technology (guns, trains, and early electricity) seamlessly integrated into the familiar Allomancy and Feruchemy magic systems. The action sequences are cinematic, leveraging the “push and pull” mechanics of Allomancy for creative, gravity-defying gunfights. Sanderson’s knack for tight plotting shines, as mysteries unravel with satisfying twists, though the villain’s motivations feel slightly underdeveloped compared to the depth of the protagonists.At roughly 330 pages, the book is shorter than Sanderson’s typical epics, making it a breezy read, but this brevity occasionally limits the scope of the political and social themes introduced. The shift from the original trilogy’s high fantasy to a more grounded, urban setting might jar some fans, but it’s a refreshing reinvention that sets the stage for the Wax and Wayne series.Overall, The Alloy of Law is a delightful mix of mystery, magic, and mayhem. It’s not quite as ambitious as Sanderson’s grander works, but its sharp pacing, engaging characters, and inventive world make it a worthy addition to the Mistborn saga. Perfect for readers craving a fun, accessible fantasy with a unique flavor.Pros:Compelling characters and banterCreative magic-driven actionFresh steampunk-Western vibeCons:Villain lacks depth Smaller scope may disappoint epic fantasy fansRecommended for Mistborn fans and newcomers alike who enjoy fast-paced, imaginative stories.
Tricked into releasing the evil spirit Ruin while attempting to close the Well of Ascension...
What have I just read??I'm at loss of words.One of or the most well written series. No notes. Masterpiece.
4.5 rounded upAfter many years, my mind is unchanged, Brandon Sanderson is a true master in his genre. His ability to built such an epic world with so many different rules is mind-blowing. What is surprising is that with how elaborate the world in Mistborn is, his style of writing is intelligible even for a reader unfamiliar with epic fantasy. At first I had a problem with how anticlimactic one part of the story was but after some time to think I really do believe it was necessary. It shows that not everything ends with a boom even if the build up suggests otherwise. It added the element of surprise, definitely. I'm really glad I finally got my hands on the whole trilogy and am able to familiarise myself with the whole story.
In un regno dove la magia nasce dai colori e il respiro è potere, due sorelle reali vengono trascinate in un gioco politico e divino che cambierà il destino del mondo. Tra dèi che non credono in se stessi e guerrieri leggendari in cerca di redenzione, Il Conciliatore intreccia fede, ironia e intrighi in un universo tanto vivido quanto strano.Brandon Sanderson prende un’idea apparentemente assurda — la magia dei “soffi” — e la trasforma in un sistema coerente, elegante e sorprendentemente poetico. È un mondo che vive e respira, dove anche la luce ha un peso e l’anima si misura in tonalità.Al centro di tutto, però, c’è la religione: non solo come tema di sfondo, ma come motore dell’intera storia. La fede, il dubbio, la divinità e l’adorazione vengono messi costantemente in discussione, e Sanderson si diverte (con la sua solita delicatezza) a mostrare quanto fragile e potente possa essere l’idea stessa di dio, soprattutto quando gli dèi camminano tra gli uomini.All’inizio il ritmo è un po’ lento, e sembra di dover imparare una nuova lingua prima di entrare davvero nella storia. Ma quando gli ingranaggi scattano al posto giusto — e succede, eccome se succede! — il libro esplode in intrecci, rivelazioni e personaggi molto più complessi di quanto sembrassero.Le due sorelle protagoniste, il dio annoiato e il guerriero misterioso sono archetipi che Sanderson riesce a umanizzare, rendendoli ironici, fragili e credibili. Forse non ha la stessa profondità emotiva di Mistborn, ma il finale regala quella sensazione rara di chiusura vera, senza bisogno di altri dieci seguiti (anche se, lo ammetto, mi piacerebbe leggere altro ambientato in questo mondo).Un romanzo brillante, coerente, a tratti geniale, con qualche sbavatura qua e là — ma che rimane impresso nella mente. Una nota di colore brillante nel Cosmoverso!P.S. Susebron, hai il mio incondizionato amore, ora e per sempre ❤️