書籍詳情
格式
平裝書
頁數
224
語言
英語
已出版
Jan 1, 2011
出版商
Ridinghouse; Whitechapel Gallery
ISBN-10
1905464339
ISBN-13
9781905464333
描述
Spanning more than three decades, this richly illustrated monograph demonstrates John Stezaker’s engagement with the ceaseless flow of images resulting from mechanical reproduction, mass media and popular culture.
His intervention into these images through collage, excision, reconfiguration, inversion or occlusion can be seen to interrupt their everyday circulation in a profound image and perception alike are questioned, rearranged and opened to new possibilities. Through their transformation Stezaker’s images acquire poetic resonance, and, in many cases, a disquieting allure.
With over 120 illustrations, this monograph presents the first overview of John Stezaker’s work on paper from the 1970s onwards, featuring his found images, collages, image fragments and a selection from 'The 3rd Person Archive' series.
Essays by Dawn Ades and Michael Bracewell, as well as a conversation between the artist and curators Daniel F. Herrmann and Christophe Gallois, place Stezaker’s work in a historical context and analyse his methodology.
His intervention into these images through collage, excision, reconfiguration, inversion or occlusion can be seen to interrupt their everyday circulation in a profound image and perception alike are questioned, rearranged and opened to new possibilities. Through their transformation Stezaker’s images acquire poetic resonance, and, in many cases, a disquieting allure.
With over 120 illustrations, this monograph presents the first overview of John Stezaker’s work on paper from the 1970s onwards, featuring his found images, collages, image fragments and a selection from 'The 3rd Person Archive' series.
Essays by Dawn Ades and Michael Bracewell, as well as a conversation between the artist and curators Daniel F. Herrmann and Christophe Gallois, place Stezaker’s work in a historical context and analyse his methodology.
類型
歷史