Composing for the Red Screen: Prokofiev and Soviet Film (Oxford Music / Media)

Kevin Bartig explores the intersection of music and cinema in the Soviet Union through the lens of Sergei Prokofiev's contributions to film scoring. This insightful examination delves into how Prokofiev’s innovative compositions transformed the cinematic experience during a time of significant cultural and political upheaval.

Bartig's analysis underscores the unique challenges and creative responses faced by composers in the Soviet context, particularly emphasizing Prokofiev’s ability to navigate state expectations while maintaining artistic integrity. Through detailed case studies and rich historical context, readers gain a deeper appreciation for the complex relationship between film and music, as well as Prokofiev’s lasting impact on the art form.