Book Details
Format
Audiobook
Language
English
Published
Aug 5, 2008
Publisher
Your Coach Digital
ISBN-10
1596591722
ISBN-13
9781596591721
Description
Creativity has long been thought to be an individual gift, best pursued alone; schools, organizations, and whole industries are built on this idea. But what if the most common beliefs about how creativity works are wrong?
In this authoritative and fascinating new audiobook, Keith Sawyer, a psychologist at WashingtonUniversity, tears down some of the most popular myths about creativity and erects new principles in their place. He reveals that creativity is always collaborative--even when you're alone. (That "eureka" moment in the bathtub couldn't have come to Archimedes if he hadn't spent so many hours arguing and comparing notes with his fellow mathematicians and philosophers.)
Sawyer draws on compelling stories of inventions and innovations: the inventors of the ATM, the mountain bike, and open source operating systems, among others, to demonstrate the freewheeling ways of true innovation. He shares the results of his own acclaimed research on jazz groups, theater ensembles, and conversation analysis, to show us how to be more creative in collaborative group settings, how to change organizational dynamics for the better, and how to tap into our own reserves of creativity.
In this authoritative and fascinating new audiobook, Keith Sawyer, a psychologist at WashingtonUniversity, tears down some of the most popular myths about creativity and erects new principles in their place. He reveals that creativity is always collaborative--even when you're alone. (That "eureka" moment in the bathtub couldn't have come to Archimedes if he hadn't spent so many hours arguing and comparing notes with his fellow mathematicians and philosophers.)
Sawyer draws on compelling stories of inventions and innovations: the inventors of the ATM, the mountain bike, and open source operating systems, among others, to demonstrate the freewheeling ways of true innovation. He shares the results of his own acclaimed research on jazz groups, theater ensembles, and conversation analysis, to show us how to be more creative in collaborative group settings, how to change organizational dynamics for the better, and how to tap into our own reserves of creativity.