Description
This scholarly work explores the intricate use of pauses in Elizabethan and Jacobean drama, shedding light on a crucial yet often overlooked element of prosody. Ants Oras delves into the rhythmic patterns that underpin the dramatic texts of these two vibrant periods in English literature, revealing how pauses contribute to meaning, emotion, and character development.
The analysis is enriched by contributions from additional editors, each bringing their unique insights to the subject. Charles W. Morris, C. A. Robertson, and Melvin E. Valk provide further depth to the understanding of how these patterns interact within the broader context of Elizabethan and Jacobean theatrical conventions.
Through meticulous examination, the work encourages readers to listen closely to the nuances of the language, fostering a greater appreciation for the art of dramatic structure. The experiment in prosody invites both scholars and enthusiasts to reconsider the importance of pacing and timing in performance, ultimately revealing the dynamic interplay between text and delivery.
The analysis is enriched by contributions from additional editors, each bringing their unique insights to the subject. Charles W. Morris, C. A. Robertson, and Melvin E. Valk provide further depth to the understanding of how these patterns interact within the broader context of Elizabethan and Jacobean theatrical conventions.
Through meticulous examination, the work encourages readers to listen closely to the nuances of the language, fostering a greater appreciation for the art of dramatic structure. The experiment in prosody invites both scholars and enthusiasts to reconsider the importance of pacing and timing in performance, ultimately revealing the dynamic interplay between text and delivery.
Book Details
Format
Paperback
Pages
96 pages
Language
English
Published
Jun 16, 2012
Publisher
Literary Licensing, LLC
Editions
2 editions
ISBN-10
1258394812
ISBN-13
9781258394813